Islamic, Ancient Egyptian, and Ancient Greek Art Essay

Elisabeth Siddiqui has written Art is the mirror of a purification and its world view. There is no case to which this statement more at a time applies than to the art of the Islamic world. Seeing that Muslims are believers in only unrivalled true God of the universe, they have been advised by Prophet Muhammad non to make pictures of human beings, for these pictures may often turn out to m new(prenominal) idols for people, thereby turning them away from the Lord of the universe. Hence, Islamic art has cerebrate on anything other than the human form. Muslims have used Arabic calligraphy to express their creativity in countless art works.Arabic record book lends itself wonderfully to decorative use, writes Siddiqui. It is the language of the Quran, even if it is used to write something other than the Quranic verse. The choices are limitless. Thus we find a beautiful piece of calligraphic art as an in helping handion on a carved woodland panel from a door that was made in the late gothic Islamic period (See Appendix). The inscription on the panel consists of the signature of its maker. The script is monumental, with large and rounded proportions. The seven words of the inscription are deep carved in three horizontal registers.These are set against a scrolling leaf background ( tardily Medieval Period, 2004). Contrary to the believers in the unseen God, the ancient Egyptians were Pharaoh worshippers. The king of ancient Egypt was the Pharaoh, who appeared larger than life in the art works of the period. Ti Hunting the Hippopotamus is a wonderful depiction of the upshot (See Appendix). Carved on a surface of a stone, this is a time out using the typical ancient Egyptian style of frontalism, in which the head teacher is drawn in profile while the body is seen from the front. In thisISLAMIC, antediluvian EGYPTIAN, AND old-fashioned Hellenic ART Page 2 picture, Ti is enormous as compared to his slaves as well as the animals. He is the paragon of twain slaves and animals, and is therefore shown as a higher being as compared to the lesser beings. The slaves in the picture are relaxed. So are the animals. Moreover, the animals shown are more realistic than all humans, perhaps because of the ambivalence felt by the operative toward both the higher and the lower beings within humans (Kremen, 1996).Lastly, the ancient Greeks, who likewise had plenty of gods and goddesses, downplayed the divine aspects of their gods, unlike the Egyptians, by giving their gods a typically human form. There did not have to be higher or lower beings in ancient Greek art. Instead, the closely perfect of figures created were recognized as gods naturally. The ancient Greek civilization enjoyed the beauty of the human form, including the bare human form which was admired for its harmonious proportions. The Torso of Apollo is one of the most perfect examples of this art (See Appendix).Made in 2nd century AD, the bole of marble shows young Apollo, th e Greek god of light, music, archery, healing, atonement, prophecy and flocks and herds. The figure was common with both Greeks and ancient Romans. It is an unclothed manifestation of splendor and courage, only pass judgment to be shown of Apollo, who wears a belt over one shoulder to which a quiver of arrows were attached at his back (Torso of Apollo). By showing the god as distinctly human, the artist inspires into viewers the spirit to take Apollo for a courageous model and turn into heroes themselves. Thus all art appears as a mirror of its culture and the worldview.References 1. Kremen, Lisa. (1996, December). Understanding Egyptian Art. Egyptian Art. Retrieved from http//www. bergen. org/AAST/Projects/Egypt/egyptian_art. html. (10 February 2007). 2. Late Medieval Period. (2004). Islamic Art. Los Angeles County Museum of Art. Retrieved from http//www. lacma. org/islamic_art/intro. htm. (10 February 2007). 3. Siddiqui, Elisabeth. Islamic Art. MSA.Retrieved from http//www.co lostate. edu/orgs/MSA/index. html. (10 February 2007). 4. Torso of Apollo. DIA Galleries Ancient Art. Retrieved from http//www. dia. org/collections/Ancient/ancient. html. (10 February 2007). ISLAMIC, ANCIENT EGYPTIAN, AND ANCIENT GREEK ART Page 4 Appendix Islamic Art Ancient Egyptian Art ISLAMIC, ANCIENT EGYPTIAN, AND ANCIENT GREEK ART Page 5 Ancient Greek Art.