Poetry of Gwendolyn Brooks and Emily Berry

one of the goals of poetry is to highlight detail aspects of the human condition, often victimization small moments as its musical mode of observation. In spite of some(prenominal) similar characteristics that can be found in twain poets styles, there are legion(predicate) differences that distinguish them from one another. by a careful examen of Sadie and Maud by Gwendolyn tolerate, and Emily plucks Arlene and Esme, it is clear that though each poet tackles thematic similarities involving the manage of isolation, the devil poets execute their aims truly divergently, specifically with poetic grammatical construction and address.\nIn Sadie and Maud and Arlene and Esme, Brooks and Berry have fairly different ideas about language and how it is interpreted throughout each verse form. by dint of Sadie and Maud, the practise of short hairsplitting language defines the numbers. Brooks expends small, even so powerful expressions, which transforms a poem of ve ry few rowing into a poem containing enlarged ideas and an overall broader sense of heart and soul. As for Arlene and Esme, Berry comes from a reasonably different approach, showing the reviewer how the poem is from a unsubdivided view. She has what they call a beginners mind. She sees everything from an un-given up perspective (Berry). Brooks describes how the narrators elementary point of view allows the referee to understand the emotion beingness conveyed throughout the poem.\nThrough their use of language, these poems give off a sense of imagery, intriguing the subscriber and portraying emotions more in earnest than in a misprint situation. As each poem is slightly different, the use of language links them together, showing the implication of every word. The size and maturity of the poem is irrelevant to the deeper meaning behind the language used. Brooks and Berry represent the use of structure in two different ways to avow the ideas and tones of their poems. I n Sadie and Maud  the use of stanzas is applied. Whereas, in Arlene and Esme free verse ...