Client s NameProfessor s NameDateCourseArtist s and Their Motifs MusesArt can sometimes be a felicity of the egg-producing(prenominal) form . The Greeks and Romans canonized a certain frame type above others and it is to their and definition of beauty that other artists reservation strived to achieve similar results . Of these results two artists come to mind in regards to a re-invention of this canonized form : Modiglianis and Renoir . This ordain comp atomic number 18 and blood line Modiglianis Reclining Nude with Hands Behind Her Head (c1917 ) and Renoir s Young doll friend Bathing (c1892 . The points of structure for this compare and contrast will be either paintings color , composition , and subject effect to delineate a few A slightly more in depth look into the composition and the details of the naked female w ill be given a bounteous breadth of researchThe composition of either painting is very striking in their differences .
In Modigliani s work the female form is exaggerate in her length while in Renoir s style , the femininity is drab in muted yet vibrant tones . These are on the button stylistic differences between these two artists . The incident which is most obtrusive in Modigliani s work is his length of the female s salute . The charr s nose is elongated and her eyes are order good to bugger offher and can be called `cat-like in their archetype . The sockets of the woman s eyes are entirely in pitch-black w hich causes the face to have an almost hollo! w look to it...If you expect to get a full essay, order it on our website:
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