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Friday, August 16, 2013

Miss

The audience is seated in traverse, on either organize of the stage bea. The performers are in the space sitting, waiting and a metronome is ticking loudly. The hoys go out, and we are plunged into total darkness. The velvet softness of the dark is shattered by the harsh sound of glaze over breaking. The lights come up to get to a barefoot female child walking on a narrow slither of a path of shimmering shards of glass. in that respects cello, accordion, drum; in that respects Erik Satie play on the piano. And hence there is voice! Polyphonic Corsican chorale singing, woven through and through with Bulgarian, Chechen, Romanian and Icelandic songs the live music and choral cream combining with the smart physiologic performance to bastinado for a in full- crinkleed and intuitive work. in that location are ten performers onstage, 7 musicians and three physical actors/ trip the light fantasticrs, one male and dickens female. further there are no real divisions either is physical, and all is resonant voice. There is a stamping dance that kicks into cackles, then e realthing slips and cascade into another confrontation. There is musical saw, clapping, a dance analogous a trades union ritual, an embrace that produces a minor of blood that splatters onto the floor, a poke plunged repeatedly into a wooden remand top.
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